(disattendo rapidamente il mio proposito di risentirci a settembre per una comunicazione veloce!)
Anni fa dissi a un dear friend who - while realizing that it must be important - I could not understand what you realize the task of the conductor in classical music, where there were scores. He made me feel two versions of the same piece (the Symphony No. 1 by Brahms, if I remember correctly).
And I knew. The day and night.
I came to think of that episode today when I read an article on Repubblica.it on a brilliant idea of \u200b\u200bthe director of the National Gallery in London in an exhibition exposing the many "fake page" bought in years by the museum. "Learn from the mistakes in the history of a lot more. And we, having thrown away thousands of pounds buying fake paintings, we have learned to make better buying. So I'd like to works created by talented forgers we had more, as the National Gallery is the place where paintings are exhibited sublime but where you study the history of art. "What better way to compare the original and the copy to understand the style, the art?
Then I came to think of the day when, looking at my life, I decided to pull out of my basement my inner false and make a good look around the exhibition in which the removed my life and maybe learn from mistakes. That was ten years ago, I'm still finishing down the cellar stairs! Of course you do not see the masterpieces, indeed it is stuff that would be better off in the cellar ... but is the price of art!
And finally I thought of the many people I have met over the past ten years, which have essentially the same choice. Together we had booked the room through the dining hall: it was called Arkeon. Even there I saw a lot of stuff that they would rather hide in the cellar ... but need to clean up well bring out the garbage.
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